MUZYKA 3-CIEGO UCHA

pjerry

Znalazłem taki wywiad z Christianem Vanderem

B.M. : After "Mekanik Destruktiw Kommandoh", the band reached its maturity. But "Kohntarkosz", the following album, explored totally new musical realms?

C.V. : It's a pretty sad story but things have to be said. A man called Mike Oldfield did steal my music - to be more precise, extracts from "Mekanik" and "La Dawotsin". When we recorded "Mekanik Kommandoh" in 1972, Oldfield was waiting for recording "Tubular bells", which is in fact an extract from my music. I played this music for him, without guessing that he would steal it for him. When I saw the film "The Exorcist", like a "good boy" I found its music fantastic. Of course it was : that was the music I used to play. I didn't make the relation between the two musics at once. But, one day one of Magma's member told me "Mike oldfield, he's the guy who was there when we composed Mekanik Kommandoh". In fact, he hasn't composed something else in the same vein because he had not the end of the music. Since this film, many film scores were composed that way - which is typically magma's one - and I couldn't play my music because I could have been accused of copying the others. That really drove me crazy. At this time, i had composed the following music of "Mekanik kommandoh" but, as I couldn't play it, I had to explore new harmonic realms, which were a little bit too complicated for my capacities - unless Mekanik - and that was "Kohntarkosz".

Przyznam, ze chociaż znam dobrze Tubular Bells to jakoś nie mogę namierzyć tego podobieństwa (poza koncówką pierwszej części)
Z kolei mój kolega, któremu kiedyś dałem Magmę powidział "Przecież on brzmi jak Mike Oldfield", czyli co musi być na rzeczy

frik567

No nie wiem czy Mike Oldfield chodził do szkoły ZEUHL. Wink

jak

generalnie Magma to jedna z bardziej wpływowych kapel na świecie - więc wcale mnie to nie dziwi. Jesli u nas jest inaczej to głównie za sprawą szkodników jak Kaczkowski